IN OUR representations of what God looks like, we may have moved
on from the old-man-with-white-beard template; but I am not sure
that we are ready to embrace an image of the Omnipotent that looks
like Bob Crow. Yet, if the logic of Audrey Gillan's script for
From Fact to Fiction: God's bidding (Saturday, Radio 4)
was to be followed through, then the implication is unavoidable:
that the Lord works his ways even through the leader of the RMT
union.
That we were as listeners prepared to accept such a notion
speaks to the charm of Gillan's script. From Fact to
Fiction is a strand that offers writers the chance to
dramatise a topical issue in a fiction with which they might engage
directly or obliquely. This week, the story was the Pope's
auctioning of his Harley-Davidson motorcycle in Paris.
In the drama, a mother and daughter attempt a trip to Paris to
bid for the motorbike, spotting a chance to make money for their
charity. Through the agency of Crow and the London Tube strike, the
ladies' quest is frustrated: but it all comes good in the end.
Public declarations that God might work in such mysterious ways
are to be made with circumspection. There was a time when the
concert pianist John Lill would make claims about his spiritual
inspiration that earned him a certain amount of derision. So, as he
explained in Music Matters (Radio 3, Saturday), he does
not talk about this any more; suffice to say that, when performing,
he often feels his hands moving in ways that he is not controlling.
He feels a spiritual force - although not one that can be
attributed to any "man-made religion".
What Lill experiences might be identified with the term "flow" -
that loss of self through intense engagement with an activity. Next
on Music Matters came a researcher into performance
psychology, Professor Jaydeep Bhattacharya, whose team at
Goldsmiths College have been studying flow.
It is not a phenomenon exclusive to pianists - sportspeople, for
instance, talk of being "in the zone". Where there is a perfect
match between a person's skill and the difficulty of the task that
that person is performing, he or she can experience this highly
pleasurable state, which is so motivating that it makes up for the
hours of practising.
No doubt there will be many a skier, ice-skater, and bobsleigh
competitor experiencing "flow" over the coming days in Sochi. For
the rest of us, all we can do is watch, admire, and wonder at the
vast expense of it all. In The Road to Sochi (World
Service, Tuesday of last week), Robin Lustig talked to politicians,
businessmen, and environmentalists about where the estimated $US30
billion have gone, and why this is the most expensive games
ever.
Reports of corruption are legion. But, as a Chatham House expert
suggested, this is the common currency of political discourse in
Russia. Of more importance might be the long-term environmental
sustainability of the infrastructure created. One hotel owner in
Sochi said that Russia did things either much better or much worse
than other countries. It remains to be seen into which category
these games will fall.